Vanishing Giants (invitation to a book launch and photo exhibition in Singapore)

    ...for almost as long as I've been into elephants a friendly photographer named Palani Mohan has been popping in and out of elephant camps and events putting together a book called "Vanishing Giants: Elephants of Asia".

    The book is finally ready for its Asian launch in Singapore on the 23rd of this month and is also available for pre-order in Europe on Amazon for those of you who cannot go along and have a peek.

    None of our mob from the Anantara or Four Seasons camps made it in but there are quite a few from Thailand; Surin and street scenes, King's Cup and Elephant Nature Park as well as my old Nepali friends, Sri Lankan eles and a smattering from Angkor and, I think, Burma.

    For those of you in Singapore please do go along to the Arts House (+65 6332 6900) either for the grand opening on the 23rd or to see Palani's prints on display at the same venue from the 20th to the 30th.

 
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  • Wed, 05 Mar 2008 19:38:12 GMT Fovea Editions wrote:

    fovea exhibitions | beacon gallery invites you to:

    <double blind>

    RECEPTION FOR THE PHOTOGRAPHER
    Saturday, March 8, 4pm–8pm
    143 Main Street, Beacon, New York

    Fovea presents two events with award-winning Malaysian photojournalist Palani Mohan featuring his work highlighting the endangered Asian elephant and the communities that both exploit and worship them. Join him in either Beacon or Manhattan to view his first solo exhibition in the United States, representing the culmination of six years of documentary work in 10 Asian countries.

    Meet Mohan and view his compelling black and white images of the endangered Asian elephants, whose population hovers below 40,000. Book signing and reception hosted by Sukhothai Restaurant and the Artisan Wine Shop.



    DISCUSSION AND BOOK SIGNING
    Tuesday, March 11th 6:30-8:30pm

    The Asia Society, 8th floor
    725 Park Avenue, New York City
    212-517-ASIA
    $10 members, seniors, students (w/ID); $12 non-members
    Click here to buy tickets online

    A Meet the Author event with Mohan. Selected photographs from Fovea's exhibition of Vanishing Giants" will be on display in the Asia Society's lobby through the end of March, accompanied by an interactive web presentation.

    EXHIBIT DATES: March 8 to May 4, 2008
    Open Friday though Sunday, 11am to 6pm, and by appointment
    Educational programs, please call 845 765 2199
    or e-mail: info@FoveaEditions.org

    Presented with the gracious support of:

    Fovea Editions Inc: New York State registration #20-98-18,
    Fovea is a registered 501(c)3 non-for-profit educational charity.

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  • Sun, 16 Mar 2008 07:23:36 GMT Newsweek wrote:
    Indian photographer Palani Mohan first encountered elephants through his mother's worship of Ganesh, the Hindu god of luck and auspicious beginnings, who carries an elephant head on a human body to symbolize harmony between the two species. Later, traveling through Asia as a photojournalist, he encountered these gentle giants firsthand and observed "how closely we live with elephants," he says. "Elephants and humans are competing for space in Asia so much that their habitat is fast declining."

    Mohan was drawn to photograph elephants wherever he went for magazine shoots. He followed the elephant trail through 11 countries—including India, Sri Lanka, Burma, Thailand and Cambodia—and gradually evolved into an environmentalist, recording through his images the sad plight of a vanishing species.

    Mohan's collection of black-and-white images, shot over six "very long" years, is now a handsome big-format book, "Vanishing Giants: Elephants of Asia" ( Editions Didier Millet), with a foreword by British environmentalist David Bellamy. In the cover image, a hand reaches out to hold an elephant's extended trunk, embodying the idea of relationship. Inside, most photos similarly focus on the tangled connection between man and beast. Some are loving: one memorable shot depicts an elephant "kissing" a young Thai conservationist. Others depict captured elephants crushed into tight crates, or being poked with sharp tridents to break them in; one image reveals a weeping elephant, a tear trickling from one eye.

    In the end, Mohan says, "We Asians have to figure out whether we love or hate these animals." As his own images so starkly reveal, the answer is not always clear-cut.

    © 2008
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